Kandinsky, Wassily Russian painter, critic, and poet. Considered one of the most influential painters of the German Expressionist movement, Kandinsky is best known for his artistic and theoretical contributions to the development of nonrepresentational, or abstract, art. Using brilliant colors in compositions of geometric shapes and lines, he sought to communicate experiences and emotions through a purely visual language divested of all symbolic or narrative content. In doing so, Kandinsky redefined traditional concepts of the picture plane and provided the rationale for much of modern art.
According to Kandinsky, this is the most complex piece he ever painted Writing that "music is the ultimate teacher,"  Kandinsky embarked upon the first seven of his ten Compositions.
They were displayed in the State-sponsored exhibit " Degenerate Art ", and then destroyed along with works by Paul KleeFranz Marc and other modern artists. Writing of the "artist as prophet" in his book, Concerning the Spiritual In Art, Kandinsky created paintings in the years immediately preceding World War I showing a coming cataclysm which would alter individual and social reality.
Never attempting to picture any one of these stories as a narrative, he used their veiled imagery as symbols of the archetypes of death—rebirth and destruction—creation he felt were imminent in the pre- World War I world.
As he stated in Concerning the Spiritual In Art see belowKandinsky felt that an authentic artist creating art from "an internal necessity" inhabits the tip of an upward-moving pyramid. This progressing pyramid is penetrating and proceeding into the future. What was odd or inconceivable yesterday is commonplace today; what is avant garde today and understood only by the few is common knowledge tomorrow.
Kandinsky was aware of recent scientific developments and the advances of modern artists who had contributed to radically new ways of seeing and experiencing the world. Composition IV and later paintings are primarily concerned with evoking a spiritual resonance in viewer and artist.
As in his painting of the Essay on wassily kandinsky by water Composition VIKandinsky puts the viewer in the situation of experiencing these epic myths by translating them into contemporary terms with a sense of desperation, flurry, urgency, and confusion.
Artistic and spiritual theorist[ edit ] Composition VI As the Der Blaue Reiter Almanac essays and theorizing with composer Arnold Schoenberg indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind synesthesia.
Hearing tones and chords as he painted, Kandinsky theorized that for exampleyellow is the colour of middle C on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano.
In the young Kandinsky learned to play the piano and cello. These theories are explained in Point and Line to Plane see below.
During the studies Kandinsky made in preparation for Composition IV, he became exhausted while working on a painting and went for a walk. Upon returning and seeing the canvas but not yet recognizing it Kandinsky fell to his knees and wept, saying it was the most beautiful painting he had ever seen.
He had been liberated from attachment to an object. From nearly six months of study and preparation, he had intended the work to evoke a flood, baptism, destruction, and rebirth simultaneously. After outlining the work on a mural-sized wood panel, he became blocked and could not go on.
She suggested he simply repeat the word uberflut "deluge" or "flood" and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span. He spent years creating abstractsensorially rich paintings, working with form and colour, tirelessly observing his own paintings and those of other artists, noting their effects on his sense of colour.
While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view.
The point of the pyramid is those few, great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces.
This effect can be much deeper, however, causing a vibration of the soul or an "inner resonance"—a spiritual effect in which the colour touches the soul itself. He defines it as the principle of efficient contact of the form with the human soul.
White and black form the second great contrast, which is static. Any other colour resonates strongly on its neighbors. Gray corresponds to immobility without hope; it tends to despair when it becomes dark, regaining little hope when it lightens.
He called the physical support and the material surface on which the artist draws or paints the basic plane, or BP. It is neither a geometric point nor a mathematical abstraction; it is extension, form and colour.
This form can be a square, a triangle, a circle, a star or something more complex. The point is the most concise form but, according to its placement on the basic plane, it will take a different tonality. It can be isolated or resonate with other points or lines. The produced linear forms may be of several types: A plane may be obtained by condensation from a line rotated around one of its ends.
A vertical line corresponds with height, and offers no support; it possesses a luminous, warm tonality close to white and yellow. A diagonal possesses a more-or-less warm or cold tonality, according to its inclination toward the horizontal or the vertical.Wassily Kandinsky ESSAY!
Wassily Kandinsky In this world, we have many people who contribute to the development of humankind and play a vital role in creating a difference in their surrounding environment. Wassily Kandinsky – Composition VII 4 that, Kandinsky’s composition VII is a combination of the resurrection of the Christ, The last judgement, and The Garden of Love in an operatic outburst of pure painting.
Wassily Kandinsky ESSAY! Wassily Kandinsky In this world, we have many people who contribute to the development of humankind and play a vital role in creating a difference in their surrounding environment.
Wassily Kandinsky and Kasimir Malevich were the first to really create works that were pure abstraction. Kandinsky was the founder of the Abstraction movement and even published a book detailing his theories on art and spirituality, On the Spiritual in Art. Composition 8 is one such art and was one of Kandinsky’s first abstract art forms.
It deviates from real life forms that had been the basis of his previous works and leans towards abstract forms that are really hard to decipher.
Wassily Kandinsky was a Russian-born artist, whose contributions to the world of modern art are innumerable.
On an artistic level, Kandinsky's maturation process from representational art to abstract art is fascinating.