Get Full Essay Get access to this section to get all help you need with your essay and educational issues. The Picture of Dorian Gray with being an immoral tale. Devoted to a school of thought and a mode of sensibility known as aestheticism, Wilde believed that art possesses an intrinsic value—that it is beautiful and therefore has worth, and thus needs serve no other purpose, be it moral or political.
Wilde takes pains to establish Sibyl Vane as a multidimensional character with ambitions, allegiances, and a past. Yet to Dorian, she is merely a source of entertainment, an ornament that quickly loses its shine.
Like Sibyl, several other characters serve only to amuse Dorian, suffering tragic fates when their moments of usefulness have passed. Sibyl is the ultimate example of what Wilde sees as a widespread human flaw: Dorian rejects Sibyl as soon as her theatrical talents falter.
He tacitly agrees with Henry that love, like art, is merely a form of imitation. Wilde makes the implicit point that, by imitating her shallow beloved, Sibyl has become sloppy and cynical in her art.
Like Sibyl, Alan commits suicide after his entanglement with Dorian. Even Basil, whose love for Dorian inspired great works of art, ceases to have worth for Dorian when he becomes uninteresting.
Dorian does not hesitate to kill him. Dorian thinks he has acted nobly by severing relations before he can corrupt her, but he fails to admit that he lacks an interest in her inner life. Again and again, human beings become trophies for Dorian, sparkling statuettes that he can cast aside when his mind wanders.
By adding Sibyl to this array of tragic characters, Wilde emphasizes the human potential to treat friends as experiments or sources of momentary interest.
With his series of brief, unforgettable tragedies, Wilde urges us to think more carefully about the emotional and spiritual lives of our friends.The Project Gutenberg EBook of The Picture of Dorian Gray, by Oscar Wilde This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever.
Dorian Gray's true picture of Oscar Wilde the effervescent dramas and witty essays, and the construct that was Oscar, glamorous, riotous, effortlessly brilliant. full of dread, angst. In Oscar Wilde’s The Picture of Dorian Gray, Lord Henry influences Dorian Gray to the point where Dorian loses all respect, dignity, and integrity that he had .
61 Oscar Wilde prefaces his novel The Picture of Dorian Gray with a reflection on art, the artist, and the utility of both. After careful scrutiny, he concludes: “All art is quite useless” (Wilde 4).
The Works of Oscar Wilde, fifteen volumes, introduction by Richard Le Gallienne, Lamb (New York, NY), , reprinted as The Sunflower Edition of the Works of Oscar Wilde, AMS Press (New York, NY), , published as The Works of Oscar Wilde, new introduction by Stanley Weintraub, Sep 08, · In Wilde’s essay The Decay of Lying – published just a few months before he started writing Dorian Gray – he had made a plea for more imagination in literature.
“I think his whole purpose.